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Blackmagic Video Assist 7 12G-SDI/HDMI HDR Recording Monitor

Blackmagic Video Assist 7 12G-SDI/HDMI HDR Recording Monitor predstavuje revolučný nástroj určený pre profesionálnu videoprodukciu, ktorý kombinuje vynikajúcu kvalitu záznamu s flexibilitou a intuitívnym ovládaním. So svojím 7-palcovým dotykovým displejom s rozlíšením 1920×1200 a schopnosťou záznamu v DCI/UHD 4K HDR, je tento monitor ideálny pre kameramanov, ktorí požadujú vysokú úroveň detailov a presnosti v každú chvíľu produkcie.

Hlavné vlastnosti

Blackmagic Video Assist je navrhnutý s dôrazom na profesionálne potreby v oblasti filmovej a televíznej produkcie. Monitor je vybavený robustnou konektivitou, ktorá zahŕňa 12G-SDI a HDMI vstupy/výstupy, čo zabezpečuje kompatibilitu s rôznymi video formátmi a zariadeniami.

• 7-palcový 1920×1200 dotykový LCD: Displej s vysokým rozlíšením poskytuje jasný a presný náhľad, čo je kľúčové pri natáčaní a postprodukcii.
• Záznam v DCI/UHD 4K HDR: Umožňuje zachytiť obraz v najvyššej kvalite, čo je ideálne pre profesionálne produkcie a archívovanie.
• 12G-SDI a HDMI vstupy/výstupy: Tieto rozhrania garantujú bezproblémové pripojenie takmer ku všetkým zariadeniam, čo zjednodušuje pracovný tok.
• 10bit, 4:2:2 ProRes & DNxHD: Kvalitná kompresia, ktorá zachováva detaily a farby, čo je neoceniteľné pri následnej úprave videa.
• Jas 2500 cd/m² s 3D LUTs: Vysoký jas umožňuje prácu aj pri silnom osvetlení, zatiaľ čo podpora 3D LUTs poskytuje flexibilitu pri korigovaní farieb.
• Dvojité SDHC/XC sloty: Umožňujú súčasný záznam na dve karty, čo zvyšuje spoľahlivosť a bezpečnosť záznamu.
• Mini-XLR pre dva vyvážené vstupy: Zaisťuje vysokokvalitný zvuk s minimálnym šumom, nevyhnutný pre profesionálne audiozáznamy.

Technické špecifikácie

Monitor je navrhnutý tak, aby spĺňal náročné požiadavky profesionálnych natáčaní. S rozmermi 17.5 cm x 11.5 cm x 3.3 cm a hmotnosťou iba 1.1 kg, je dostatočne prenosný a ľahko ovládateľný. Napájanie je zabezpečené buď cez AC adaptér, alebo batériu, čo umožňuje flexibilitu pri terénnych natáčaniach. Monitor podporuje multiple formáty záznamu, vrátane ProRes a DNxHD, čo je základom pre mnohé profesionálne pracovné toky.

Praktické využitie

V praxi Blackmagic Video Assist 7 12G-SDI/HDMI HDR Recording Monitor exceluje v rôznych scénach profesionálneho využitia. Je ideálny pre natáčanie krátkych filmov, televíznych šou, live broadcasting a dokumentárnych projektov. Jeho vynikajúca kvalita záznamu a realistický náhľad umožňujú kameramanom a režisérom efektívne kontrolovať a doladiť detaily v každej scéne. V štúdiových prostrediach zabezpečuje precíznu spoluprácu medzi kamerou a zvukovým zariadením, čím znižuje riziko technických problémov počas produkcie.

Blackmagic Video Assist je teda nevyhnutným nástrojom vo výbave každého profesionálneho filmára a producenta, ktorý hľadá dokonalosť vo videoprodukcii. S jeho schopnosťami je výhodnou investíciou pre efektívnejšie a kvalitnejšie záznamy vo všetkých aspektoch filmárskej praxe.

DUAL MEDIA RECORDERS FOR UNINTERRUPTED RECORDING
Video Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7″ model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.

RECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS
If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don’t suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don’t need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen.

ADVANCED 12G‑SDI AND HDMI 2.0 INPUTS AND OUTPUTS
Video Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you’re recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector.

HDR SUPPORT WITH BRIGHT WIDE GAMUT LCD
You’ll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format.

BUILT IN SCOPES ENSURE COMPLIANCE TO STANDARDS
Video Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.

LATEST MULTI RATE 12G‑SDI FOR SD, HD AND ULTRA HD
You get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work.

LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS
Some cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a “look” to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.

POST PRODUCTION FRIENDLY FILE FORMATS
Video Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems.

THE QUALITY OF RAW AND THE SPEED OF VIDEO
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1* and Canon C300 MK II*. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.

PROFESSIONAL MULTI CHANNEL SDI AND ANALOGUE AUDIO
Blackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7″ model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with the analogue audio connections designed to low noise and low distortion digital cinema and broadcast specifications.

LOCALIZED FOR 11 POPULAR LANGUAGES
Multiple languages are fully supported so you don’t need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews.

WORKS WITH THE WORLD’S MOST POPULAR VIDEO SOFTWARE
The files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.